2019 *Gallery Ami Kanoko, Osaka, Japan

.        *Gallery Hatoba, Kyoto, Japan
2018 *Esperanza en Armonia, Museo Nacional de Bellas Artes, 

          Havana, Cuba

         *An Act of Balance, Skoto Gallery, NYC, NY

2017 *Nanette Carter, Alessandro Berni Gallery, Perugia, Italy
2016 *Nanette Carter, Gallery Ami & Kanoko, Osaka, Japan

2014 *Constructions: Textural Collages, G. R. N’Namdi

           Center for Contemporary Art, Detroit, MI
2012 *In the Garden: The Animist, N'Namdi Contemporary, Miami, FL
2008 *Aqueous, G. R. N'Namdi Gallery, Chicago, IL

2007 *Nanette Carter, Kozah Art Gallery, Damascus, Syria
2006 *Aqueous, G. R. N'Namdi Gallery, NYC, NY
         *Walter Gropius Visiting Artist Series, Huntington Museum of Art, WV
2005 *Fluid Borders, G. R. N'Namdi Gallery, Chicago, IL
         *Nanette Carter, President's Gallery, Pratt Institute of Art, Brooklyn, NY
         *Fluid Borders, Swartley Gallery, Dwight-Englewood School, Englewood, NJ
2004 *Conceptual Abstractions, June Kelly Gallery, NYC, NY
         *Conceptual Abstractions, Noel Gallery, Charlotte, NC
2003 *Transfluent Lines, Sande Webster Gallery, Philadelphia, PA
2002 *Motion Cleansing, G. R. N'Namdi Gallery, Detroit, MI
         *Motion Cleansing, G. R. N'Namdi Gallery, Chicago, IL
         *Picante: Erotic Drawings, OGT Gallery, NYC, NY 

2001 *Nanette Carter: Recent Work, Conkling Gallery, Minnesota State University,
           Mankato, MN

         *Statement: Prints and Paintings, Sande Webster Gallery, Philadelphia, PA
2000 *Slightly Off Keel, June Kelly Gallery, NYC, NY
         *Nanette Carter, Barbara Greene Fine Art, NYC, NY
1999 *Slightly Off Keel, Sande Webster Gallery, Philadelphia, PA
         *Slightly Off Keel, G. R. N'Namdi Gallery, Birmingham, MI
         *Point-Counterpoint to Slightly Off Keel, G.R. N’Namdi Gallery, Chicago, IL

1998 *Segments, Daura Gallery, University of Lynchburg, Virginia

1997 *New Works, Rathbone Gallery, The Sage Colleges, Albany, NY
         *Recent Works on Mylar, Sande Webster Gallery, Philadelphia, PA
         *Point-Counterpoint, June Kelly Gallery, New York, NY
         *Nature’s Mystique: Paintings and Monotypes, Noel Fine Art Acquisitions
           at Hodges Taylor Gallery, Charlotte, NC
1996 *Paintings, G.R. N'Namdi Gallery, Birmingham, MI
1995 *Window View-Scapeology, Sande Webster Gallery, Philadelphia, PA
         *Window View-Scapeology, Alitash Kebede Gallery, Los Angeles, CA

1994 *Recent Work, June Kelly Gallery, New York, NY
1993 *Collaged Canvases, Sande Webster Gallery, Philadelphia, PA 
1992 *Paintings, G.R. N'Namdi Gallery, Birmingham, MI
         *Alitash Kebede Gallery, Los Angeles, CA
         *Paintings and Prints, G. R. N'Namdi Gallery, Columbus, OH

         *Nature's Themes, Franklin and Marshall College, Lancaster, PA

1991 *Wall Reliefs-Installation, Fine Arts Gallery, Long Island University, 
           Southampton, NY
         *Fire and Water, Westminster Gallery Bloomfield College, NJ
1990 *Oil Pastels on Canvas, June Kelly Gallery, New York, NY
         *Meet the Artist, Jersey City Museum, NJ
1989 *Recent Works, G.R. N'Namdi Gallery, Birmingham, MI

1988 *Divergencies, Montclair Art Museum, NJ
1986 *Illumination, G.R. N'Namdi Gallery, Detroit, MI
1985 *Illumination, Cinque Gallery, New York, NY
1984 *Collages, G.R. N'Namdi Gallery, Detroit, MI
1983 *Recent Works, Ericson Gallery, New York, NY

1978*Thesis Exhibition, Pratt Gallery, Pratt Institute of Art, Brooklyn, NY
1976*Prints and Drawings, Gallery Between the Domes, Oberlin College, 

         Oberlin, Ohio

 Group Exhibitions

2024 -The Church, Master Impressions, curated by Sam Havens, Sag Harbor, NY

         -Berry Campbell, East Bay Window, Chelsea, NY

         -Montclair Art Museum, 100 Years of Black Art at MAM, curated by Adrienne

           L. Childs, Montclair, NJ

2023 -Taking Space: Contemporary Women Artists and the Politics of Scale,

          Montclair Art Museum, Montclair, NJ

         -Artists Choose Parrish, Part 1A, Parrish Art Museum, Nanette Carter: 

          Curator for Room #6, Watermill, NY

         -East Bay Gallery Window, Berry Campbell, NYC, NY

         -Return to a Place By the Sea, The Church, Curated by April Gornik and 

          Sara Cochran, Sag Harbor, NY

         -Berlin Files - Unapologetic, BAAR Art Journey Group Exhibition, Lab36

          Gallery, Barcelona, Spain

         -Berlin Files - Unapologetic, BAAR Art Journey Group Exhibition, Sir Victor 

          Hotel, Barcelona, Spain

         -Creative Haven: Black Artists of Sag Harbor, Long Island Museum,

          Stony Brook, NY

         -West Bay Gallery Window,  Berry Campbell, NYC, NY

2022 -Embassy in Dakar, Senegal, Office of Art in Embassies, Washington, DC

         -Unapologetic, Bode Projects, Berlin, Germany

         -BAAR Art Journey, Kunst-Stiftung Starke Foundation, Berlin, Germany

         -Imagine: Celebrating Black Female Creativity, Featherstone Gallery

          Martha's Vineyard, MA

         -Berry Campbell: Community / Ashawagh Hall, Springs, East Hampton, NY

         -Order / Reorder: Experiments With Collections, Hudson River Museum,

          Yonkers, NY

         -Hanging / Leaning: Women Artists on Long Island, 1960s-80s,

          Eric Firestone Gallery, East Hampton, NY, May 28 - June 26

         -Nanette Carter/ Robert Straight: Fragments, Layers, Combinations,

          Center For the Arts Gallery, Towson University, Towson, Maryland

2021 -Exuberance: Dialogues in African American Abstract Painting,

          James Madison University, Duke Gallery of Fine Art, Harrisonburg, VA

         -Colliding with History: African American Works on Paper from the 

          Collection of Wes and Missy Cochran, Ernest G. Welch School

          of Art & Design, Georgia State University, Atlanta, GA  

         -Affinities for Abstraction: Women Artists on Eastern Long Island, 

          1950 - 2020, Parrish Museum, Water Mill, NY

         -Creating Community: Cinque Gallery Artists, Art Students League,

          Phyllis Harriman Mason Gallery, NYC, NY

         -Land Escape, Fridman Gallery, 3 person exhibit, Beacon, NY

         -Generations of Color, Museum of Contemporary Art Long Island,

          Patchogue, NY

2019 -The Shape of Abstraction: The Thelma and Bert Olli Memorial Art Collection, 

          Saint Louis Art Museum, St. Louis, MO

         -Ronald Walton & Friends, Black History Museum and Cultural Center of Virginia, 
          Saint Petersburg, Virginia

         -Cut: Abstraction in the U.S. From 1970's to the Present, The Patricia and Phillip     
          Frost Museum Miami, Florida

         -Group Show, Skoto Gallery, NYC, NY
         -African American: We Too Dream, Museum of Art - DeLand, DeLand, Florida
2018 -Known: Unknown, New York Studio School, NYC, NY
         -Selection 2018, Skoto Gallery, NYC, NY
         -Global Metaphysics of Abstract Painters/Performance, East Hawaii 
          Cultural Center, Hilo, Hawaii
         -Collage As Matter, 11th Ave., Sotheby's International Realty, NYC, NY 
         -Dancing on the Edge of the Abyss, The Columbus Museum, Columbus,
          Georgia
2017 -Magnetic Fields: Expanding American Abstraction, 1960's to Today,
          Kemper Museum of Contemporary Art,  Kansas City, Missouri, June;
          National Museum of Women in the Arts, Washington, DC, October;
          Museum of Fine Arts, St. Petersburg, St. Petersburg, Florida, May
         -Printfest: Modern, Contemporary and Future Masters, Center for the Arts     
          Gallery, Towson University, Towson, Maryland

         -Women From the Collection, Nedd Hotel Collection, London, England  

         -I Embody......, Marietta College, Marietta, Ohio 
         -Enduring in Vision and Linked in Tradition, Robert and Frances Fullerton 
          Museum, California State University, San Bernardino, CA 

2016 -Circa 1970, The Studio Museum in Harlem, NYC, NY

         -SCOPE International Art Contemporary Art Show, N'Namdi Contemporary
          Gallery, Booth C12, Miami, FL

         -Beyond Borders: Bill Hutson and Friends, University Museum at the University 

         -We may be through with the past.., Gallery Nine 5, NYC, NY

         -Invitational Exhibition of Visual Artists, American Academy of Arts and 

          Letters, Curated by Souhad Rafey, NYC, NY

         -Changing The Subject: The Women Artists of the Experimental Printmaking 

         -Visions of Our 44th President, The Black Archives, History and Research 

         -Fine Arts Faculty Exhibition I: Sublime Resonance, Pratt, Brooklyn, NY
2015 -SCOPE/Miami International Contemporary Art Show, N'Namdi Contemporary 

         -Experimental Printmaking Institute, Re:find Gallery, Easton, PA

         -Group Show, N'namdi Center for Contemporary Art, Miami, 

         -Paintings in Trees, The People's Garden, Brooklyn, NY

2014 -African American Artists and Abstraction, National Museum of Fine Arts, 

          Havana, Cuba

         -Emme Ya: Women From the Permanent Collection, Winston-Salem
          State Museum, Winston-Salem, NC
         -Miami Show, N'Namdi Contemporary, Miami FL
2013 -Women Call for Peace, Shiva Gallery, John Jay College, NYC
         -Ladies First, Walton Gallery, Petersberg, VA
         -Miami Show, N'Namdi Contemporary Gallery, Miami, FL
         -50 Years of Abstraction, N'Namdi Center for Contemporary Art, Detroit, MI
         -Nanette Carter and Howardena Pindell, The Florissant Valley Contemporary Art
          Gallery, St. Louis Community College, St. Louis, MO
         -Drawing Democracies, Pratt Institute, Curated by Nanette Carter, Brooklyn, NY
2012 -Visions of Our 44th President, Charles H. Wright Museum, Detroit, MI
         -Visual Heritage III, Southampton Cultural Center, Southampton, NY
         -N'Namdi Contemporary, Miami, FL
         -Fine Arts Faculty Exhibiton, Schaffler Gallery, Pratt, Brooklyn, NY

2011 -The Chemistry of Color, Hudson River Museum, Yonkers,NY
         -Beyond Bearden, Harvey B. Gantt Center of Art, Charlotte, NC
         -Invitational, Ashawagh Hall, East Hampton, NY
         -The Art of Giving Back, United Negroe College Fund, School of Visual      
          Arts, NYC, NY

2010 -The Chemistry of Color, Columbia Museum of Art, Columbia, SC
         -G. R. N'Namdi Gallery, Chicago, Ill.
         -Mediums, Solar Gallery, East Hampton, N.Y.

         -N'Namdi Center for Contemporary Art, Detroit, MI

         -Essie Green Gallery, NYC, NY
         -Fine Arts Faculty Show, Schafler Gallery, Pratt Inst. of Art, Brooklyn, NY
2009 -Permanent Collection, Studio Museum in Harlem, NYC, NY
2008 -Ornery Abstraction, Ceres Gallery, NYC, NY
         -In Context: The Language of Abstraction Continues, Henry Street
          Settlement House, NYC, NY
         -Pratt Prints, Gallery Bravura, Brasiliera and Bellas Artes University
          Gallery, Sao Paulo, Brazil
         -N'Namdi Collection, Oakland University Gallery, Rochester, MI
         -Discursive Acts, University Museum, University of Delaware, Newark, DL
         -Friends of Herbert Gentry, The Parrish Gallery, Washington, DC
         -Gallery Opening, Sharon Simmons Gallery, Brooklyn, NY
         -Fine Arts Faculty Exhibition, Schafler Gallery, Pratt Inst. of Art,
          Brooklyn, NY
         -Summer Show, Walking Tall Gallery, East Hampton, NY
2007 -Forms of Abstraction, G. R. N'Namdi Gallery, NYC and Detroit
         -International Women's Art Festival,
          LePont Gallery, Aleppo, Syria
         -Living With Art: Collection of Alitash Kebede, Lousiana State Museum,
          Baton Rouge, LA, Los Angeles African American Museum, CA
         -Between Two Worlds, The Bermuda National Gallery, Bermuda
         -Summer Show, Walking Tall Gallery, East Hampton, NY
2006 -Driven to Abstraction, New York State Museum, Albany, NY
         -African-American Works from the Collection, The Montclair Art         

          Museum, Montclair, NJ
         -That's a Whole "Notha Story", Art in the Atrium, Morristown, NJ
2005 -Different Ways of Seeing: The Expanding World of Abstraction, 

         -The Chemistry of Color: African- American Artists in Philadelphia, 

          1970 - 1990, from the Sorgenti Collection, Pennsylvania Academy of 

          the Arts, Philadelphiaa, PA

         -Spectrum Palette, Lambert Gallery, Atlanta, Georgia
         -Crossing Disciplines: Drawing, Schafler Gallery, Pratt Institute of Art,

          Brooklyn, NY            
         -African- American Printmakers: The Legacy Continues, Aljira Gallery,       
          Newark, NJ
2004 -Five Contemporary Voices in a New Space, Delta Arts Center, Winston-
          Salem, NC, catalogue 
         -A Universe of Art, Credit Suisse / First Boston, catalogue, New York, NY

         -A Century of African- American Art, The Paul Jones Collection, The 
          University Museum, University of Delaware, Newark, Delaware 
         -Creating Their Own Image: A History of Afro- American Women Artists,
          Aronson Galleries, Parsons School of Design, New York, NY              
         -Faculty Show, Pratt Institute of Art, Brooklyn, NY
         -Global Vision, Lambert Gallery, Atlanta, GA 
         -Vivacious II!, Diggs Gallery, Winston- Salem State University, N.C.  
         -Forms of Abstraction, G.R. N’Namdi Gallery, New York
         -Allu’sion, Rongio Gallery, Brooklyn, New York
2003 -Layers of Meaning: Collage and Abstraction in the Late 20th Century,   
          Pennsylvania Academy of the Fine Arts, Philadelphia, PA

         -For Love and Peace of Mind, curated by Nanette Carter, OGT Gallery, NY

2002 -No Greater Love, Abstraction, Jack Tilton/Anna Kustera Gallery, NY  
         -Beauty, Exhibit A Gallery, New York, NY    
         -Spotlight on African American Art, Eclectic Connection Fine Art Gallery,
          Summit, NJ     
         -Six American Masters, Sugar Hill Art Center, New York, NY
         -Pfizer Incorporated, New York, NY
         -Fine Arts Faculty Exhibition, Pratt Institute, Brooklyn, NY
2001 -Somos Simpatico, Barbara Greene Fine Art, New York, NY
2000 -Collector’s Show, Arkansas Arts Center, Little Rock, AR
         -African-American Art at 2000, Rockland Center for the Arts, West
           Nyack, NY
         -Organic. Synthetic. Physic., Krest Center Gallery, Concordia College,
           Ann Arbor, MI

         -Painterly Prints, curated by Claude Elliott, Rhode Island School of Design,

           Museum of Art, Providence, RI
1999 -Thunder at the Cathedral, curated by Brenda Branch, Skylight Gallery, 

          Bedford Stuyvesant Restoration Corporation’s Center for Art and Culture, 

          Brooklyn, NY

        -Women Artists in Celebration of Lois Mailou Jones, curated by Julia
          Hotton, The National Arts Club, New York, NY
        -A Place By The Sea, essay by Jim Richard Wilson, The Sage College  
          Rathbone Gallery, Albany, NYY; catalogue; traveled to Christine
          Nienaber Contemporary Art, NYC and Arlene Bujese Gallery, East
          Hampton, NY 
         -Entitled: Black Women Artists, curated by Nanette Carter, Rush Arts Galley
          New York City, NY
        -Christiane Nienaber Gallery of Contemporary Art, New York, NY
         -Black New York Artists of the 20th Century: Selections from the  
          Schomberg Center Collection, Schomberg Center for Research in Black
          Culture, NYC, NY
1998 -Beyond the Veil: The Art of African American Artists at Century’s End,
          guest curator Dr. M. J. Hewitt, The George D. and Harriet W. Cornell 
           Fine Arts Museum, Rollins College, Winter Park, FL     
         -New York Eight, Alitash Kebede Contemporary Art in association with 
          Louise Ross Gallery, New York
         -Breadth and Scope, Jonkonnu Gallery, Sag Harbor, NY
         -Seeing Red, Nabisco, East Hanover, NJ
         -One Voice, Many Visions: Works by African-American Artists, The Rhode
          Island School of Design Museum of Art, Providence, RI
         -Creations, Elise Goodheart Gallery, Sag Harbor, NY
         -The Centennial Open, The Parrish Art Museum, Southampton, NY 
1997 -Transferring Culture: Work from the Lower East Side Printshop 1995-
          1997, curated by Sarah M. Lowe, La Mama Galleria, New York
         -Women In Full Effect, curated by Nanette Carter, RUSH Art Gallery, 
          New York City, NY
1996 -Recent Acquisitions, Yale University Art Gallery, New Haven, CT
         -Bearing Witness: Contemporary Works by African American Women 
          Artists, Inaugural exhibition curated by Dr. Jontyle Robinson, Spelman 
          College Museum of Fine Art, Atlanta, GA; traveling exhibition: Fort
          Wayne Museum of Art, IN; Polk Museum of Art, Lakeland, FL; The
          Columbus Museum, GA; African American Museum, Dallas, TX;  
          Minnesota Museum of American Art, St. Paul, MN and the Ulrich
          Museum of Art, Wichita, KS 
         -Unique Editions: The Process, Cinque Gallery, NYC, NY
         -African American Printmakers: Three Decades of Excellence, The
           Philadelphia Museum of Art, in collaboration with Sande Webster
           Gallery, PA
         -Color Coded: Abstraction and Identity in Contemporary Painting, curated
           by Gerard Brown, Sleeth Gallery, West Virginia Wesleyan College,
           Buckhannon, WV
         -Women Artists of Color, Pittsburgh Center for the Arts, PA
         -Collecting African American Art, Wayne
          State University, Detroit, MI
1995 -Jazz Y Son, an invitational and juried exhibition of recent work by Pratt 
          Alumni of African and Latino descent, guest juror, Claudine Brown,
          National African American Museum Project, Pratt Manhattan Gallery, 

          New York, NY

         -African-American Printmaking: 1838 to the Present, The Rockland Center
          for the Arts, West Nyack, NY
         -African-American Printmakers: WPA to the Present, co-curated by Michael
          Murphy and Sande Webster, Gettysburg College, PA
         -Editions: Contemporary International Printmakers, curated by 

          Carl E. Hazelwood, Skoto Gallery, New York

         -Munson-Williams-Proctor Institute Museum of Art, Utica, NY
         -Modern Art Museum of Fort Worth, TX
1994-96 -Rainbow: Prints from Bob Blackburn's Printmaking Workshop,                                

          sponsored by USIA, traveling through Sub-Saharan Africa

1994 -Empowerment: The Art of African American Artists, organized by Lehman
          College Art Gallery for Krasdale Foods Art Gallery, Bronx, NY
         -Merrill Lynch, Somerset, NJ
         -Ashawagh Hall Gallery, East Hampton, NY
         -Museum of Art, Rhode Island School of
          Design, Providence, RI
         -Anniversary: Westminster Galler Retrospective, Bloomfield College,
          Bloomfield, NJ 

1993-95 -Bob Blackburn's Printmaking Workshop: Artists of Color and Print 

          Portfolio; traveling exhibition
1993 -The Studio Museum in Harlem: 25 Years of African-American Art, Paine
           Webber Art Gallery, New York; traveling exhibition
         -Monotypes/Monoprints, Associated American Artists, NYC, NY
         -Incidence of Passage, Art Initiatives, NYC, NY      
         -Aljira, A Center for Contemporary Art, Newark, New Jersey
         -Jazz Impressions, University Gallery Fine Arts, curated by Pam Tills,
           University of Massachusetts, Amherst, MA
         -Multiple Dialogues: Expressions in Abstraction, Painted Bride Art Center, 
          curated by AM Weaver, Philadelphia, PA
         -The City College of New York, NY
         -The Delaware Art Museum, Wilmington, DE
         -Collectors' Choice: Celebrating Diversity, The Unitarian Church, Montclair, NJ
1992 -The Expanding Circle: A Selection of African American Art, The Gallery at 
           Bristol-Myers Squibb, curated by Mel Edwards, Princeton, NJ; Catalogue 11
         -Master Prints from the Rutgers Center for Innovative Printmaking: 

          The First 5 years, The Gallery at Bristol - Myers Squibb, Princeton, NJ

         -Presswork-The Art of Women Printmakers, The National Museum of 
          Women in the Arts, Washington, DC
         -Points of the Compass, The Noyes Museum of Art, curated by AM Weaver,
          Oceanville, NJ
         -Just Beyond Relief: An Exhibition of Sculpture, Salena Gallery, Long Island
           University, Brooklyn, NY
         -Identities, Art House Odeon Gallery, curated by Jennifer Cross, Sag Harbor,
          NY
         -Long Island University, Hillwood Art Museum, Brookville, NY
         -Ben Shahn Gallery, Paterson State College
1991 -Monotypes, Mary Ryan Gallery, New York
         -Triangle Artist Workshop 10th Anniversary, Usdan Gallery, Bennington
          College, VT; catalogue
         -In Full Effect, The Riffe Gallery, Ohio Arts Council, Columbus, OH
         -Spaces, Cleveland, OH
         -New Visions Gallery, Ithaca, NY
1990 -Black Women in the Arts, Montclair State College Art Gallery, NJ
         -East Hampton Center for Contemporary Art, New York
         -Sande Webster Gallery, Philadelphia, PA
         -Louisa McIntosh Gallery, Atlanta, GA
         -Jamaica Arts Center, Jamaica, NY
         -Four Views, Four African American Artist, Dowd Fine Arts Gallery, SUNY at
          Cortland, Cortland, NY
1989 -Monoprints/Monotypes, University of Maine at Orono, Museum of Art, ME
         -Impressions: Our World, Flushing Center, Queens, NY; Center for Art and
          Culture, curated by Frances Hynes, Brooklyn, NY
1988 -Expressions: Black Art '88, National Coalition of 100 Black Women Inc., 
          Stamford, Conn.
         -A Summer Spectrum, June Kelly Gallery, NYC, NY
         -Monotypes, Mary Ryan Gallery, NYC, NY
         -Who’s Uptown, The Schomburg Center for Research in Black Culture, NYC,
          NY
         -Works in the Collection, The Studio Museum in Harlem, NYC, NY
         -Fashion Moda Gallery, Bronx, NY
         -Small Works, Cinque Gallery, NYC, NY
1987 -Heresies - 10th Anniversary Show, P.P.O.W. Inc., NYC, NY
         -Current Thinking, Kenkeleba Gallery, NYC, NY; catalogue
         -Celebration, AT&T, Hopewell, NJ
         -McIntosh Gallery, Atlanta, GA
         -Wenniger Gallery, Boston, MA
1986 -Hot off the Press, Associated American Artist Gallery, NYC, NY
         -Women's Center, NYC, NY
         -Pennsylvania Academy of Fine Arts, Philadelphia, PA
1985 -Collage-The State of the Art, The Bergen Museum of Art and Science, 
          Paramus, NJ
         -Twentieth Century Afro-American Artists: Selection from the Permanent
          Collection, Newark Museum, Newark, NJ

         -Progressions: A Cultural Legacy, The Clocktower Gallery, curated by Viviane

          Brown, Emma Amos, Julia Hotton, NYC, NY
         -Prints From Blocks 1900-1985, Associated American Artists, NY
         -Mid-Hudson Valley Gallery, curated by Barbara Haskell, Poughkeepsie, NY
         -Masters of Collage, 843 Studio Gallery, Brooklyn, NY
         -Minority Art Educators, The Interchurch Center, in conjunction with 

          Cinque Gallery, NYC, NY

1984 -The Women's Art Exhibit, Purdue University, Fort Wayne, IN
         -Diane Brewer Gallery, NYC, NY
         -Saginaw Art Museum, Saginaw, MI
         -Gallery Artists Exhibition, Ericson Gallery, NYC, NY
         -Celebration: Eight Afro-American Artists, Henry Street Settlement/Louis 
          Abrons Arts for Living Center, curated by Romare Bearden, NYC, NY; catalogue
1983 -Salute to Black Women Artists, First Women's Bank, NYC, NY
         -The Member's Gallery, Albright-Knox Museum, Buffalo, NY
         -The Water's Edge, Ericson Gallery, 2 person exhibit, NYC, NY
1982 -Invitational Show, Ericson Gallery, New York
         -Black Achievement in the Arts, Equitable Life Assurance, New York
         -Miriam Perlman Gallery, Chicago, IL
         -Renaissance Gallery, Cleveland, OH
         -Beauty Exhibition, Cat Video, NYC, NY
1981 -Biennial Print Exhibition, curator Gene Baro, Brooklyn Museum, NY
         -Recent Acquisitions, The Studio Museum of Harlem, NYC, NY
         -Illusions of Space, The First Women's Bank, NYC, NY

         -The Working Process, New York City Department of Cultural Affairs, NY

         -Enroute: Six Contemporary Artists, The Studio Museum in Harlem,
          Curated by Patricia Moman Bell, NYC, NY
         -Off the Wall, Ludlow-Hyland Gallery, NYC, 

         -Action Against Racism, Westbeth Gallery, New York

         -I.P. Stanback Museum, South Carolina State College, Orangeburg, SC
         -Westdeutsch Landesbank, New York, NY
         -Inaugural Exhibition, Jazzonia Gallery, Detroit, MI 
         -Voices Expressing What Is: Action Against Racism, Westbeth Gallery, NYC, NY                  

          Yonkers, NY
         -Prints and Drawings of Afro-Americans, Museum of the National Center for
          Afro-American Artists, Roxbury, MA; national touring exhibition
         -ll Works, curated by Patterson Sims, 80 Washington Square East Gallery, NY
          University, NYC, NY
         -Summer Show, inaugural exhibition for Kenkeleba Gallery, New York
         -Newton Street Gallery, Washington, DC
1979 -N.Y. Artists: New Sensibilities, 22 Wooster Gallery, New York City, NY
         -Eastville Artists, curated by Alvin Loving, Guild Hall Museum, East 
          Hampton, NY
         -Art Works, Diane Brewer Gallery, NYC, NY
1978 -25th Annual Juried Exhibition, curated by Hans Namuth, Parrish Art 
           Museum, Southampton, NY                    
         -Women Celebrate Women, Nassau County Museum, Hempstead, NY
         -Elaine Benson Gallery, Bridgehampton, NY
1977 -Grace Gallery, Brooklyn, NY
1976 -National Association of Fine Arts Small Colleges, national tour, Wooster 

           College, OH
1974 -La’Universita Dei Stranieri, Perugia, Italy
                                                                                                               
Grants, Fellowships, Residencies and Awards

2021 -Anonymous Was a Woman Award, Grant

         -Siena Art Institute, Siena, Italy, in conjunction with Pratt, Residency

2018 -Pratt Faculty Development Fund Award, Grant
2017 -Hydra Art Project, Perugia, Italy, Residency
2015 -2016 -Experimental Printmaking Institute, Lafayette College, 
          Easton, PA, Residency
2014 -The Adolph and Esther Gottlieb Foundation, NYC, NY, Grant
2013 -The Artists' Fellowship Inc, NYC, NY, Grant 
         -The Mayer Foundation, NYC, NY, Grant
2012, 2009 -Pratt Faculty Development Grant, Pratt Institute of Art, 

          Brooklyn, NY

2007 -Cultural Envoy to Syria, Representing the USA at the 7th 

1999 -Brandywine Workshop, Philadelphia, PA, Fellowship
1997 -Lower East Side Printshop, Inc., NYC, NY, Fellowship
         -Western Carolina University, Cullowhee, NC, Residency
1996 -The Wheeler Foundation, NYC, NY, Grant
         -West Virginia Wesleyan College, Buckhannon, WV, Residency
1994 -The Pollock-Krasner Foundation, Inc., Grant
1992 -Pondside Press Graphics Workshop, Rhinebeck, NY, Fellowship
1991 -Triangle Workshop, Pine Plains, NY, Residency
         -The Brodsky Center for Innovative Editions, Rutger's University, 
          New Brunswick, NJ, Fellowship
1990 -New York Foundation for the Arts, Drawing, Grant
1989 -Bob Blackburn's Printmaking Workshop, Fellowship, NYC, NY
1988 -Coalition of 100 Black Women's Century Art Award, Best of Show, 

          Juror Kellie Jones, Stamford, Conn.

1986 -Poster design for Jazz Mobil and Lincoln Center, Assoc. of 

          Graphic Arts Awards, NYC, NY

1985 -New Jersey State Council on the Arts, Grant
1984 -N.Y. State Council on the Arts, Artist in Residence at Cinque Gallery, 

1981 -National Endowment for the Arts Washington, DC, Grant
         -The Jerome Foundation Grant, NYC

Reviews, Articles, Catalogues and Publications

          April 26, 2021

2019 -The Shape of Abstraction: Selections From the Ollie Collection, catalogue 

          essay by Rehema C. Barber, Forward by Director Brent Benjamin, Saint Louis 

          Art Museum, St. Louis, MO

2018 -The Brooklyn Rail, Nanette Carter: An Act of Balance, by Jonathan Goodman,

           Artseen, Feb 23
         -The New York Times, Weekend Arts II, Galleries, mention by Holland Cotter,     

          March 9
         -Balancing Hope/ Esperanza en Armonia, Catalogue for solo exhibition at Museo de
          Bellas Artes, Habana, Cuba, Statement by Jonathan Goodman and Nanette Carter
         -Wall Street International Magazine, An Act of Balance, by Daniel Gauss, March 9
         -Prattfolio, Fall/Winter 2018, published by The Office of Communications Pratt
          Institute
         -The A-Line: A Journal of Progressive Thought, image for "At Shakespeare's
           Bed", Vol.1, No. 2, Feb.6

          December 15

2001 -O: The Oprah Magazine,  “The Artist Way", November
         -Philadelphia Daily News, Renee Lucas Wayne review, “Off the Wall- Investing in
          Original African American Art”, PA, February 10
2000 -Slightly Off Keel, catalogue essay by Karen Wilkin, June Kelly Gallery, NY
1999 -Detroit Free Press, Karen Guten Cohen review, “Abstracts, Nudes Make Great Art”,     

          September 26

         -The Philadelphia Inquirer, Edward Sozanski review, “Metaphors on Mylar”, October 22
         -Women Artists in Celebration of Lois Mailou Jones, catalogue essay by Julia Hotton, 

          National Arts Club, New York

         -A Place by the Sea, catalogue essay by Jim Richard Wilson, The Sages Colleges 

          Rathbone Gallery, Albany, NY

         -The Daily Gazette, Patricia Krup review, “Abstract Ideals” Albany, NY, March 5
         -Metroland, Stacey Lauren review, “Skimming the Surface”, Albany, NY, review, 

          March 21

         -Beyond the Veil: Art of African American Artists at Century’s End, Cornell Fine Arts
          Museum, Rollins College, Winter Park, FL
1998 -Hatch-Billops Collection, Inc., James Hatch editor, “Artist and Influence,” New
           York, NY, Calvin Reid, interviewer
         -The Columbus Dispatch, Nancy Gilson review, “Sisters on Canvas: Ohio Native
           Comes Home”, review, October 5
         -Beyond the Veil: Art of African American Artists at Century’s End, catalogue essay
           by Mary Jane Hewitt, Ph.D., The George D. and Harriet W. Cornell Fine Arts   

         -Collecting African American Art: Works on Paper and Canvas, by Halima Taha, 

          Crown Publishers, Inc., NYC, NY

         -ART New England, Alicia Faxon review, June/July
         -The Southampton Press, Erica-Lynn Gambino review, Goodheart Gallery, 

          “Creations”, April 23

         -The New York Times, Phyllis Braff review, Long Island Section, Sunday, April 19
         -Sag Harbor Express, Annette Hinkle review, “Creations: Exploring Conflicts
          and Natural Order”, Thursday, April 2
         -Dan’s Paper, Marion Wolberg Weiss review, “Art Commentary”, Friday, April 17
1997 -Point-Counterpoint, catalogue essay by Calvin Reid, June Kelly Gallery, NY
         -The New Art Examiner, Richard Leslie, “Racism in the Art World: A Report on a
           Report”,  Chicago, IL
         -The International Review of African American Art,  Jonell Jaime, “Fresh Paint!
           New York Scene”, Hampton University Museum, VA, vol. 13, no. 4
         -Essence Magazine, Khephra Burns, “Reframing Black Art”, July
1996 -Bearing Witness: Contemporary Works by African American Women Artists,
          catalogues essays by Lowery Stokes Sims, Judith Wilson, Beverly Guy-Sheftall,
          Jontyle Robinson, Akua McDaniel and Tritobia Benjamin, Spelman College
          Museum of Fine Art, Atlanta, GA, catalogue published by Spelman College
          and Rizzoli International Publications 
         -Merry Christmas Baby, Paula Woods & Felix Liddell, “Merry Christmas, Baby,”
           Harper Collins, NY
1995 -The Philadelphia Inquirer, Edward Sozansky review, October 13

         -American Visions, Anthony Murphy, article, September

         -Gumbo Ya Ya: Anthology of Contemporary African-American Women Artists,
           introduction by Dr. Leslie King-Hammond, Midmarch Arts Press, New York
         -African-American Printmaking 1838 to the Present, catalogue essay by Harry
           Henderson, The Rockland Center of the Arts, West Nyack, NY
1994 -The New Art Examiner , Tom Csaszar review, Chicago, IL, , summer
         -The Columbus Dispatch, Tracey C. Hummer review, Columbus, OH, July 31
1993 -Monotypes/Monoprints, catalogue essay by Lisa Hagani, Associated American 

          Artists Gallery, New York

         -Twentieth Century African American Art: From the Collection of Mr. and Mrs. 

          Darrell Walker, catalogue essay by David C. Driskell, University of Arkansas at 

          Little Rock, AK

         -The New Art Examiner, Tom Csaszar review, , Chicago, IL, summer
         -The Philadelphia Inquirer, Edward Sozanski review, October 22
1992 -The Expanding Circle: A Selection of African American Art, catalogue essay by
          Melvin Edwards, The Gallery at Bristol-Myers Squibb, Princeton, NJ
         -Master Prints from the Rutgers Center for Innovative Printmaking: The First 5 Years,
          catalogue essay Judith H. Brodsky, The Gallery at Bristol-Myers Squibb, 

          Princeton, NJ

1991 -Triangle Workshop’s 10th Anniversary, catalogue essays by Dore Ashton, Hilton
          Kramer, Karen Wilkin, Usdan Gallery, Bennington College, VT
         -The New York Times, Phyllis Braff review, Long Island Section, Dec., 1
         -ARTnews, Ruth Bass review, February
         -Ithaca Journal, George Bumgardner review, March 21
         -Daily Star, Oneonta, NY, article, March 8
1990 -Essence Magazine, Evette Porter, “Art for Our Sake”, May
         -Southampton Press, Robert Long review, November
         -Newsday, Alastair Gordon review, NYC, NY, December
         -The Sunday Star Ledger, New Jersey, Eileen Watkins, July
         -The Press, "Four Views, Four African American Artists", Cortland, NY, March
1989 -Monoprints/Monotypes, University of Maine at Orono, Museum of Art,  

          Catalogue, Orono, ME

         -The Detroit News, Joy Hakanson Colby review, January 27
         -The Detroit Free Press, Marsha Miro review, February 12
1988 -Who’s Uptown: Harlem ’87, catalogue essay by Deidre L. Bibby, The 

          Schomburg Center for Research in Black Culture, NYC, NY

         -The New York Daily News, article, March 12
         -Black Art Today, video produced by Lisa Jones
1987 -Current Thinking, catalogue essay by Corrine Jennings, Kenkeleba Gallery, 

          NYC, NY

1986 -The Christian Science Monitor, article by Theodore Wolff, “Artist at Work -Nanette
           Carter”, September 11
         -Essence Magazine, article by Harriett Cole, July

         -Detroit Free Press, review by Marsha Miro, June 10

1985 -The Collage Handbook, John and Joan Digby, Thames and Hudson, London,
          England
         -Black Women in the Arts, catalogue essay by Kenneth W. Bentley, Carnation
         Company Publication, Los Angeles, CA
1984 -Celebration: Eight Afro-American Artists Selected by Romare Bearden, introduction by                       

         -Detroit News, article by Joy Hakanson Colby, October 16
         -Detroit Focus Quarterly, article by Barbara Siwula, December
1982 -Midnight Birds, cover design for book by Mary Helen Washington, Japan
         -Black Currant, by Janet Henry, Magazine produce by Just Above Midtown 

         Gallery, NYC, NY

1981 -Christian Science Monitor, Theodore Wolff review, February 2
         -WNET, Channel 13, television slide presentation for Black History Month, February

         -The Montclair Times, NJ, article, February 19

1980 -Flair magazine, article by Coreen Simpson, November
1979 -The New York Times, Long Island section, Helen Harrison review, Sunday, February 25
         -East Hampton Star, article, NY, February 15
1978 -Newsday, article by Amei Wallach, NY, May 28
         -Women Artists Newsletter, article by Rae Ferren, NY

Commissions

2021 -Midwood Library, Wall Mural, Brooklyn, NY 

2012 -Museum of African American History, Bust of President Obama, Detroit, MI

2005 -Poster for "Sag Harbor Hills 55th Anniversary, Sag Harbor, N.Y.

2003 -Mudd Library, Oberlin College, Oberlin, Ohio, Juried

1990 -Poster for “Black Women in the Arts 1990” exhibition,      

1985 -Poster for Jazzmobile Concert, Avery Fisher Hall, Lincoln Center, 

1980 -Dwight-Englewood School, Englewood, NJ, Mural 

Lectures, Workshops, Juries, Panels, Critiques and Demonstrations

2021 -Siena Art Institute & Pratt Institute Fine Arts, Pratt, Brooklyn, NY, Talk

         -Phillips Mill Foundation, Mentor/ Mentee Program, With

           artist Lisa Hunt, Mentor

2020 -St. Louis Art Museum, St. Louis, MO, Panel

2019 -Gallery Ami Kanoko, Osaka, Japan, Gallery Talk

         -Bearden Foundation, Legacy of Cinque Gallery, NYC, NY, Panel 

2018 -Bard College, Annandale-On-Hudson, NY, Critiques, Lecture
         -Museo Nacional de Bellas Artes, Habana, Cuba, Workshop, Lecture
         -Instituto Superiore de Arte, Habana, Cuba, Class Discussion
         -Adolph and Esther Gottlieb Foundation, NYC, NY, Juror 
         -Black Artists and the Abstraction Idiom, Eric Firestone Gallery in 

          conjunction with "Joe Overstreet, Selected Works", NY, NY, Panel

         -Galerie Lelong, Discussion on exhibition, "Mildred Thompson: 

         -University of Hawaii at Hilo, Hilo, Hawaii, Lecture
         -Montclair Art Museum, 11th Annual Film Forum, NJ, Panel
2016 -Kyoto Seika University, Kyoto, Japan, Workshop, Lecture
         -Bishop Gallery and BRIC, Brooklyn, NY, Panel
2015 -Lafayette College, Easton, PA, Lecture, Critiques
2014 -Pratt Institute, Brooklyn, NY; Pratt Professor’s Lecture Series
2013 -N’Namdi Center for Contemporary Art, Detroit, MI; Lecture 
         -Shiva Gallery, John Jay College, NYC, NY; Panel
         -Montclair Art Museum, Montclair, NJ; Panel
2010 -N’Namdi Center for Contemporary Art, Detroit, MI; Panel
         -Solar Gallery, East Hampton, NY; Gallery Talk
2008 -Tribeca Performing Art Center, NYC, NY; Lecture
2007 -LePont Gallery, Aleppo, Syria; Lecture
         -The American Cultural Center, Damascus, Syria; Lecture
         -Kozah Gallery, Damascus, Syria; Workshop
         -Private University of Science and Arts, Aleppo, Syria; Workshop
         -25 Years of Abstraction, G. R. N’Namdi
           Gallery, NYC, NY; Panel
2006 -Ohio Council on the Arts, Cincinnati, Ohio; Painting Juror 
         -The Huntington Museum, The Walter Gropius Artist Workshop, 

          Huntington, WV; Workshop, Lecture

         -Marietta College, Marietta, Ohio; Workshop, Lecture
2005 -The Princeton Club, N.Y.C., NY; Lecture
2004 -Winston Salem State University, Winston Salem, NC; Critique, Panel
         -University of Delaware, Newark, DE; Lecture, Interview
2003 -Wayne State University, Detroit, MI; Lecture
         -Oberlin College, Oberlin, Ohio; Lecture, Critiques
2002 -Sumei Multidisciplinary Art Center, Newark, NJ; Lecture, Critiques
         -New York Foundation for the Arts, NYC, NY; Painting Juror
2001 -The Art Institute of Boston at Lesley University, DePont Visiting 

          Artist Lecture Series, Boston, MA; Lecture

         -Minnesota State University, Mankato, MN; Lecture, Critiques
         -Rhode Island School of Design, Providence, RI; Lecture, Critiques
         -Paterson State College, Paterson, New Jersey; Lecture, Critiques
         -Lynchburg College, Lynchburg, VA; Lecture and Workshop
2000 -Rhode Island School of Design Museum of Art, Providence, RI; 

          Lecture, Critiques

         -Concordia College, Bronxville, NY; Lecture, Demonstration
         -Barbara Greene Gallery, NYC, NY; Lecture
         -The Rockland Center of the Arts, West Nyack, NY, Panel with 

          Howardena Pindell

1999 -Kentucky State Council, Frankfort, KY; Juror
         -University of Wichita, KS; Lecture, Workshop
         -Pittsburgh Center for the Arts, PA; Panel
         -The Sage Colleges, Albany, New York; Panel
1998 -The Tougaloo Art Colony, Tougaloo College, Tougaloo, MS; 

           Lecture, Workshop

         -Ohio University, Athens, OH; Workshop
         -Museum for African Art, New York, NY; Workshop    
         -West Virginia State College, Charleston, WV, Lecture, Critiques
         -The Montclair Art Museum, Montclair, NJ; Lecture
         -Lynchburg College, Lynchburg, VA; Lecture, Critiques
         -African American Museum, Dallas, TX; Lecture
         -Spokane Falls Community College, WA; Lecture
         -Eastern Washington University, Spokane, WA; Lecture
         -Cheney Cowles Museum, Spokane, WA; Lecture
1997 -University of Rochester, NY; Lecture, Workshops
         -University of South Florida, Sarasota, FL; Lecture
         -Rockland Community College, Suffern, NY; Lecture
         -A.I.R. Gallery, New York; Panel
         -Sarah Lawrence College, Bronxville, NY; Workshop
         -Sage Junior College of Albany, NY; Lecture
         -Hatch-Billops Collection, Inc., NY; Interview by Calvin Reid
         -Western States Arts Federation, Seattle, WA; Panel
         -Lower East Side Printshop,  NYC, NY, Juror for Special Editions
1996 -West Virginia Wesleyan College, Buckhannon, WV; Lecture
         -Rockland Community College, Suffern, NY; Lecture
         -Spelman College, Atlanta, GA; Panel, Critiques
1995 -Rockland Community College, Suffern, NY; Lecture
         -The Art Institute of Chicago, IL; MFA Critiques and Awards
         -New Jersey State Council on the Arts, Trenton, NJ; Painting Panel
         -State University of New York at New Paltz; Lecture
         -Guild Hall Museum, East Hampton, NY; Adult Workshops
         -The Rockland Center for the Arts, West Nyack, NY; Panel
1994 -Merrill Lynch, Somerset, NJ; Lecture
         -The Art Institute of Chicago, IL; Jury MFA Awards
         -Guild Hall Museum, East Hampton, NY; Adult Workshop
         -Museum of Art, Rhode Island School of Design, Providence; Lecture
         -Rhode Island School of Design, Providence; Critiques
1993 -The Painted Bride Gallery, Philadelphia, PA; Panel
         -Guild Hall Museum, East Hampton, NY; Workshop
         -Ocean City Arts Center, NJ; Demonstration
1992 -Ohio State Council on the Arts, Cincinnati, OH;  Juror
         -Columbus Museum of Art, OH; Panel
         -The Noyes Museum of Art, Oceanville, NJ, Demonstration
         -Franklin & Marshall College, Lancaster, PA; Lecture
1991 -Hartwick College, Oneonta, NY; Lecture, Demonstration
         -Pratt Institute of Art, Brooklyn, NY; Panel with Lorna Simpson 
         -Southampton College, NY; Lecture
1990 -Michigan Technological University, Houghton,  MI; Workshop
         -Jersey City College, NJ; Lecture

         -East Hampton Center for Contemporary Art, NY;  Lecture

         -Montclair State College, NJ; Lecture
1988 -The Montclair Museum of Art, NJ; Lecture
         -Bloomfield College, NJ; Lecture
         -The Studio in a School Association, Inc., NY; Workshop
1981 -The Studio Museum in Harlem, New York; Lecture

Selected Public and Corporate Collections

-American Express, Minneapolis, MN

-Baltimore Museum, Baltimore, Maryland

-The Bob Blackburn Printmaking Workshop, NYC, NY

-The Brandywine Workshop Collection, Philadelphia, PA

-Bristol-Myers Squibb, Princeton, NJ

-CIGNA, Philadelphia, PA

-Columbus Museum of Art, Columbus, Ohio

-Herbert F. Johnson Art Museum, Cornell University, Ithaca, NY

-Hill Harper Foundation, Detroit, MI

-Horseman Foundation, St. Louis, Missouri

-Huntington Museum, Huntington, WV

-The Jane Voorhees Zimmerli Art Museum, Rutgers University, 

 New Brunswick, NJ

-Jersey City Museum, Jersey City, NJ

-The Library of Congress, Washington, DC

-Lower East Side Printshop, Inc., NYC, NY

-The Montclair Art Museum, Montclair, NJ 

-Mudd Center, Oberlin College Library, Oberlin, Ohio

-Museo Nacional de Bellas Artes, Habana, Cuba

-Museum of Art, Rhode Island School of Design, Providence, RI 

-The Pennsylvania Academy of Fine Arts, Philadelphia, PA

-PepsiCo, NYC, NY

-Perez Museum, Miami, Florida

-Rutgers University School of Graduate Management, Newark, NJ

-Saint Louis Art Museum, Saint Louis, MO

-Schomburg Center for Research in Black Culture, NYC, NY

-The Studio Museum in Harlem, NYC, NY

-The United States Embassy, Lome, Togo

-The University of Alabama, Tuscaloosa, AL

-University of Maryland, David C. Driskell Center, College Park, MD

-University Museum, Paul R. Jones Initiative, University of Delaware, 

 Newark, DE

    NYC, NY

   Apartments,  Montclair, NJ